Photography . Publishing . Digital Content



Ideas for shooting Nature Next Door

In the shadow of a global pandemic, there are many things we can’t do. Always the optimist, I ask: what’s still possible?

With my camera equipment staring me down and another gorgeous North Carolina spring pouring through my window, an idea sparked: what about using this time to capture nature next door? Everything here has been shot since the US pandemic measures began in late March, which in local terms, is week 5 of the lockdown.

Here are my ideas for building your nature portfolio in a way that’s socially-aware, in keeping with current COVID-19 guidance to stay safe and away from others:

  • Take inventory; when it comes to nature, what are your nearby options and preferences?
  • Think flowers;
  • Thinks leaves in sunlight;
  • Think birds;
  • Think rain (especially after it rains, if the sun emerges);
  • Think combinations of the above (extra credit);
  • Grab a long lens, I like to say 100mm or longer, for the best bokeh;
  • Consider a tripod, especially for isolated but highly mobile subjects like birds; personally I find tripods a burden, but the difference in sharpness is visible;
  • Set aside a full 60 minutes; my days are blurring together so waiting for free time may defer your creative pursuits;
  • Be opportunistic – the best shot may not be the one you’d planned;
  • Go more than once – 2-3x per week? – using takeaways from the prior shoot on the next one;
  • Stay in public spaces – street, curb or sidewalk – and be sure to choose subjects and views that stay within public space; legal guides for photographers say as soon as you point your camera toward somebodies yard or house, they could claim privacy issues – and nobody wants negative energy;
  • If you’re determined to take a picture of a beautiful dogwood or azalea in someone’s front yard, just ask them – they’ll probably say yes, especially if you offer to send them the JPG
  • Get your images clean in camera, fewer edits saves time and brings peace of mind

And of course, the COVID-19 overlay:

  • Travel alone
  • Honor 6-ft social distancing at all costs; there are lots of joggers and dog-walkers out there!
  • Mask-up, it’s the right thing to do (but the colorful biker or ski versions are more fun)
  • Say hello, and ask folks how they are – it goes a long way

Share some of your ideas and progress. Let me know what’s working! And watch for more images here, on Instagram and Pinterest. Be well, and stay safe.

Grosbeak (c) 2020

Willow Oak (c) 2020

Flox (c) 2020

Red maple with shadows, off season (c) 2020

Red maple (c) 2020


Here Comes the Sun

Most of us reach for a phone or camera when the sun throws off some color.

Photographers are rarely immune.

But what makes a great sunrise or sunset shot is more than lucking out. Planning is important, and so is being prepared to move quickly.

Nature Next Door, Cary NC (c) 2006 Amberwood Media Group

Here are a few of the things I keep in mind when taking a great shot of the sun.


  • Don’t assume you need a wide angle lens to catch more sky; my best sun shots are almost always taken with a telephoto; it givies me some bokeh in the foreground, and a larger sun
  • Know where the sun is going to rise or set, and position yourself accordingly. The last few minutes of opportunity go quickly.
  • Sunrise is clearly harder than sunset. To make matters worse, the sun’s trajectory moves a little each day. An app like SkyView can be a trusted ally in the hunt.
  • Beach orientation to a pending sunrise is a huge factor; with the varied coastlines of North Carolina, it pays to know your bearings. The ocean – and that amazing sunrise – aren’t always where you’d expect
  • Timing is everything; I’m always most successful when I research local sunrise and sunset times, adjust for hills or mountains, and position myself 30 minutes prior. The shot from Roan Mountain below was only 15 miles away from me as the crow flies when I set out with my camera, but it was 45 minutes to get there, due to routes and switchbacks. I had to plan ahead. Once at Carver’s Gap, I had less than 15 minutes to find a spot and start shooting
  • On the other end, there can be lots of waiting for sunset chasers; grab a latte to pass the time

On the Scene

  • Don’t look at the sun directly, even through your view finder! Wait until the clouds or thickened atmosphere near the horizon come to your aid
  • Watch for scattered clouds near the horizon, these signal opportunity
  • Try to find something in the foreground to frame the view; it can be a nicely shaped tree, the edge of a roof or wall, anything that can place the sun in context; this also helps remind me where I was when the shot was taken
  • Look for ways to diffuse the sun’s colors, like fog over water; the pond in my neighborhood rewarded me with the shot above; it was late March in Raleigh and about 32 degrees; I was VERY glad for that latte

When It’s Over

  • Sadly, many sunrises or sunsets don’t afford an exciting view
  • Be prepared to leave empty-handed
  • More “at bats” (chances) will lead to more success; rise early and tarry late, and keep your DSLR and telephoto nearby – you’ll up your success rate
  • Avoid the temptation to amp-up or add your own colors in post-production edits. Sure, we all tap the contrast and saturation a tad. But let nature cover the hues.

Do any of these shots resonate with you more than others? The shots here are my favorites over the last 15 years.  I’d love your thoughts and comments. And ket me know if you have other tips or stories to share. War stories help us all connect the dots.

Meantime, recharge those batteries – and I’ll see you on the ridge, at sundown.

Sunrise on Roan at the TN-NC line, looking east (c) 2017

Sunset in a Salida CO, with evening haze to exhance the mood (c) 2019

Almost home, Cary NC, after stopping for an evening latte (c) 2006

Salida CO Sunset (c) 2020 Amberwood Media


The Secrets of Natural Bokeh

     Mountain grass  (c) 2016 AMG

Everyone loves photos with a blurred background. The technique, called bokeh (BO’-keh), is derived from the Japanese word for ‘blur’ or ‘haze’.

Pros use it to enhance and focus their images.

But with some planning and insight, anyone can bring more bokeh into their photography.

Here are some things to try:

  • Choose a telephoto, the fastest you have (e.g. f/2, f/2.8)
  • Let in plenty of light, by shooting with your lens open wide (e.g., f/2, f/2.8); this is easiest to control using “Manual” (M) or “Aperture Priority” (A)
  • Choose a background that’s more solid than not, and far away from your subject
  • Get reasonably close to your subject, but far enough away that you can still zoom in/out to compose your shot. If you can’t move the subject, move yourself (e.g., change shoot positions, angles)
  • Zoom in as much as possible (e.g., focal length > 100mm)
  • These adjustments will have you moving in zig-zags at first; eventually you’ll know where to be
  • Beware of ‘noisy’ or ‘bad’ bokeh – if your blurred background is cluttered, it can fight with your subject instead of framing it, which is definitely an issue with nature’s leaves and branches
  • Watch for ways to catch points of light or ‘specular’ reflections in your background, which turn into eye-catching “bokeh balls”

That’s a lot of factors. You don’t need to use them all. But the more of these techniques you know about, the more ways you’ll have to produce bokeh when you shoot.

Marcescence of Beech, aka bokeh in nature (c) 2020 AMG

What’s happening here? The above steps make your depth of field more shallow, literally, limiting what will be in focus. Ideally, for the best bokeh, this will only be your subject. This is precisely the opposite of what smartphones and wide-angle lenses do, which put as much into focus as possible.

In a pinch, you can use “Portrait” (P) mode to ask the camera or smartphone to help you de-focus around your subject in real-time. It’s a short-cut, but it’s a useful one.

My bokeh is often set in nature, so my subjects might be grass, leaves, flowers or birds. Ideal backgrounds? Often woods, fields, mountains, or open sky. Running water and beaches offer some nice options. I like to explore layers in my wooded or mountain shots, experimenting with what’s in focus. Bokeh can help me separate those layers.

In the end, it’s all about trying to isolate your subject.

Of course, in the end, good bokeh is in the eye of the beholder. Experiment with different combinations of these techniques, to see what works best for you .. and let me know where you take your bokeh!

Autumn grass w/ bokeh balls (c) 2016 AMG


Red maples (c) 2020


Among branches (c) 2020


Best of 2005

It was a year that took us from St. Maarten to South Carolina, Florida and Houston, then back home to Raleigh again. Have a look at the best moments, all shot with my trusty D70.

Paradise Blues, St. Maarten (c) 2005 AMG

Simpson Bay sunset, in St. Maarten (c) 2005

From a boat called the Tango, off Simpson Bay (c) 2005

It’s About Telling Your Story

Portrait and Portfolio (c) 2011 Amberwood Media Group

Portrait and Portfolio (c) 2004-2020 Amberwood Media

When taking a picture, we should ask ourselves “what story are we telling?”

I’ve worked in commercial and travel photography, but now focus on portraits and portfolios, with a preference for shooting in natural light. Based in Charlotte NC, but shooting across the region. Evenings and weekends, by appointment.

You only get to make one first impression. Make it count.


North Carolina: Guaranteed Photo Ops


Sugar in Snow 2 (c) 2018 Amberwood Media

Parkway Colors (c) 2010 Amberwood Media Group

Parkway Colors (c) 2010 Amberwood Media

I’ve been shooting in North Carolina for over 20 years, and if there’s one thing I’ve learned .. there’s never a shortage of photo opportunities. Here’s a sampling from some of my favorite destinations statewide .. and there are many ..

Cherry blossoms in Charlotte (c) 2020

Linville Gorge from Wiseman’s Bluff, looking north, and down (c) 2004 Amberwood Media

Snow on Hemlock Branches in Avery County NC (c) 2019 Amberwood Media

Sugar Mountain, after a dusting of snow (c) 2020 Amberwood Media

Parkway Sunrise (c) 2020 AMG